THEATRE AND ITS DOUBLE PDF FOR FREE

They then set out to devise a theatrical production in SL, incorporating live performers, and following the same procedures (such as casting and scenic and costume design) one uses in creating a real-world theatre performance. When the structures had been completed, the authors saw that they had not accounted for the living actor, a necessary ingredient in theatre, and one that Artaud found indispensable. Through a close reading of ArtaudвЂ™s writings, Schrum and Sheedy built structures called for by Artaud. (In fact, Artaud used the term, вЂLa realite virtuellвЂ™, in his book, The Theatre and Its Double (1958), though he was, in no way, referring to the modern technological realm.) To examine the possibilities of using VR to implement Artaudian ideas, the authors began by creating a model of the Theatre of Cruelty using the online 3D virtual environment, Second LifeВ® (SL). In this article, the authors suggest examining Artaud through a contemporary lens, and attempt to stage what Artaud theorized by utilizing the digital technology of virtual reality (VR). However, even ArtaudвЂ™s own experiments towards staging his concepts failed to achieve his intended goal. Paris: Seghers.In his manifestos, theatre theorist Antonin Artaud called for a вЂtheatre of crueltyвЂ™ that would immerse the spectators in the theatrical experience, causing a delirium or trance-like state in the audience.

THEATRE AND ITS DOUBLE PDF FOR FREE

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Theatre and its double pdf